An interview done by Chuck Smith & Sono Kuwayama with painter Agnes Martin at her studio in Taos in Nov. 1997. Longer version here...www.vimeo.com

Agnes Martin Agnes Martin great painter

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As one of the seminal painters of Reductive Abstraction or Minimalism, Agnes Martin established a level of commitment and single-mindedness that has earned her great admiration. This footage, shot of the "Dow Low" due to the Pace Gallery's strict no photo policy, provides viewers with a brief overview of this exhibition allowing them to experience Martin's nuanced use on line, color and interval.

James Kalm Agnes Martin Pace Gallery opening painting drawing sculpture Minimalism Modernism Chelsea New York Paint

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A video by ARTINFO and Streeter Phillips

Rothko Robert Ryman Agnes Martin arne glimcher pace gallery 50 years at pace chelsea art arts analysis discussion

In the same room at Hirshhorn Museum: Constantin Brancusi, Donald Judd, Agnes Martin

Brancusi Judd Agnes Martin Hirshhorn

the sound skips for some reason, so my lips don't at all match up with what is being sung. awesome! i never finished this one. i wanted it to have another verse, and i sort of wrote one about banksy, but i wasn't crazy about it. maybe i'll return to this someday, because i really like the idea behind it. february 2008

changes tags so don't get such creepy video recommendations

Agnes Martin, Allan D'Arcangelo, Barnett Newman, Ben Nicholson, Brice Marden, Burgoyne Diller , Frank Stella, Frantisek Kupka, Jacques Villon, Josef Albers, Kasimir Malevich. Larry Poons, Mino Argento, Robert Mangold, Victor Vasarely.

Mino Argento Agnes Martin Allan D'Arcangelo Barnett Newman Ben Nicholson Brice Marden Burgoyne Diller Frank Stella Frantisek Kupka Jacques Villon Josef Albers Kasimir Malevich Larry Poons Robert Mangold Victor Vasarely

a talk on teachers, mentors, and contemporaries in early career painting in taos, new mexico

tutorial art school new mexico painting mentors muse

The first song of their set at Believeland in Lakewood, Ohio on Saturday, February 13, 2010. Remember is a Cleveland super-group consisting of members of The Dreadful Yawns, Expecting Rain, St. Francis Arms and The Twilight.

indie rock pop alternative folk blues roots guitar Americana Expecting Rain Twilight Dreadful Yawns St. Francis Arms Beachland Cleveland Ohio

James Kalm responds to a gracious invitation from MoMA to attend the press preview of this timely exhibition. Like the coming of summer, or the swallows returning to Capistrano, the cycles in the art world have returned to focus on the practice of painting. Organized by Anne Umland, this show spotlights 50 works of art that are painting, or relate to, the question, "What is Painting?" and displays works from the museum's permanent collection. Ann Temkin, curator in the Department of Painting and Sculpture leads viewers through a brief walk-through and delivers an insightful explanation of the works. Artists represented include Francis Bacon, Robert Colescott, Gene Davis,Carroll Dunham, Wade Guyton, Al Held, Shirazeh Houshiary, Martin Kippenberger, Sherrie Levine, Andy Warhol, Agnes Martin, Elizabeth Murray et al.

James Kalm painting Museum Modern Art Andy Warhol Francis Bacon Kippenberger Agnes Martin contemporary New York

Section 2 of orchestral piece Red Icon (1995), slow section, written to celebrate Michael Finnissy's 50th birthday, BBC Scottish Symphony Orchestra conducted by Martyn Brabbins. David Drew was the producer. You can follow the full score while listening to this section of the piece. Layers of sound can be heard, from high string harmonics and repeated woodwind chord to percussion (including harpsichord and cimbalom) shifting chords around the note 'E' and changing brass chords. The emotional quality is like a slightly changing/shifting view in 'sound' of a Mark Rothko painting or a stripped painting by either Agnes Martin or Bridget Riley.

IXION Finnissy agnes martin bridget riley mark rothko martyn brabbins BBC Scottish symphony orchestra david drew alperton community school

Agnes Martin-Sollien, contralto Alain Porchet, piano www.agnesmartinsollien.net With images from "Schatten Eine nächtliche Halluzination" ("Shadows - a Nocturnal Hallucination"), also known in English as Warning Shadows), a 1923 German silent film directed by Arthur Robison

Grieg Vug og vove Grieg songs Grieg lieder shadows arthur robinson

Agnes Martin-Sollien, contralto Alain Porchet, piano concert in Geneva, 25th March 2012 more on www.agnesmartinsollien.net

agnes martin-sollien alain porchet leevi madetoja talvikuutamolla by winter moonlight

Tim Ambler - La Gamine Aux Yeux Marine www.timambler.com Words & Music by Tim Ambler & Agnes Martin. Slide Show Rosemarie Edwards ----------------------------------------------------- ELLE COURT,ELLE COURT, JE SUIS TOUT POUR ELLE DANS MES BRAS, LE BEAU VOYAGE JE SUIS SON MONDE, ET SES MERVEILLES JE SUIS LA MER ET SES NUAGES J'AI QUITTE LES BRAS D'UNE GAMINE, LE MONDE ET PLUS GRAND QUE SES YEUX BLEU MARINE ELLE VOYAIT LE MONDE A L'ENVERS, DANS MES YEUX CLAIRS LA GAMINE AU REGARD MARINE, ET EN BLUE JEAN J'ETAIS L'AMOUR D'UNE FEMME-ENFANT, SON UNIVERS, SES VOYAGES, SA PRIERE, SON ILE, SON DREAM JE COURS, JE COURS LOIN, TRES LOIN D'ELLE L'AVENTURE ET LES VOYAGES JE VEUX LE MONDE ET SES MERVEILLES LES AMOURS ET LES NAUFRAGES J'AI QUITTE LES BRAS D'UNE GAMINE, POUR LE MONDE PLUS GRAND QUE SES YEUX BLEU MARINE....BLEU MARINE ELLE AIMAIT LE MONDE A L'ENVERS, DANS MES YEUX CLAIRS LA GAMINE AU REGARD MARINE, ET EN BLUE JEAN J'ETAIS L'AMOUR D'UNE FEMME-ENFANT, SON UNIVERS, SES VOYAGES, SA PRIERE, SON ILE, SON SPLEEN MAIS MAINTENANT C'EST MOI QUI LA CHERCHE.... JE CHERCHE LES BRAS D'UNE GAMINE LE MONDE EST MOINS GRAND QUE SES YEUX BLEU MARINE.....BLEU MARINE JE VEUX VOIR LE MONDE A L'ENVERS, DANS LA LUMIERE D'UNE GAMINE AU REGARD MARINE, ET EN BLUE JEAN JE VEUX L'AMOUR D'UNE FEMME-ENFANT, SON UNIVERS SES RIVAGES, SA LUMIERE, SES YEUX, MON DREAM JE CHERCHE LES BRAS D'UNE GAMINE LE MONDE EST MOINS GRAND QUE SES YEUX BLEU MARINE

Tim Ambler Agnes Martin La Gamine Aux Yeux Marine

Tate St Ives gets into the swing of summer with a show that's all about space, structure, and light. We met up with artist Martin Creed, whose own playful contribution sees the spectacular sea-facing galleries filled with hundreds of white balloons,

music Tate St Ives [cat:artist interviews] [publish:youtube] [podcast:tateshots] Agnes Martin Tate [channel:active] naum gabo [cat:exhibitions] [date:26.05.2011] 2011 summer martin creed

In this special presentation, Anne Wagner, Class of 1936 Chair in the Department of History of Art at UC Berkeley, considers the work of Agnes Martin and Anne Truitt in relation to Minimalism and the modern repackaging of time. Wagner writes: For us moderns, time has changed. It has become a quantity, an investment, which we save, borrow, waste, and spend. Often we run out of it, though occasionally we have a little to spare. Only then, like our machines, do we switch off. It was the forms of Minimalism that in the 1960s were most successful, and most influential, in reducing arts temporal demands to, well, a minimum, for both viewer and maker alike. Repetition and geometry were the movements primary means, as by now is well known. But what is much less obvious is how and why some users of these straightforward sixties devices aimed for—and achieved—such utterly different perceptual effects. Anne Truitt, for example, speaks of her sculptures ability to disarm time. And in Agnes Martins paintings, each line marks the duration of its making in and as its trace.

UC Berkeley Art Museum and Pacific Film Archive Lecture Anne Wagner Martin Truitt Minimalism

Tremain Smith explains her highly imaginative techniques for making abstract art, including encaustic, fabric collage, and an occasional fire.

rustyscupperton Tremain Smith encaustic technique collage Richard Rosenfeld Gallery art painting Agnes Martin Joan Snydersurgery Philadelphia

Collectors' Roundtable with Robert Lehrman This annual series provides insight and invaluable advice on collecting art from museum directors, curators, collectors, art dealers, and consultants. This evening, collector Robert Lehrman (Washington, DC) presents "Secrets of the Art World." Robert Lehrman, since 1979, has been collecting works by contemporary American and European artists, including William Christenberry, Damien Hirst, Agnes Martin, Gerhard Richter, and Andy Warhol. He also has one of the most comprehensive private collections of works by Joseph Cornell. Lehrman is founder and president of the not-for-profit Voyager Foundation and has lectured on contemporary art appreciation at museums, universities, and art schools across America. He believes that in addition to being personally rewarding, collecting art and supporting art organizations and their related activities is an important civic responsibility. He is on the Board of Trustees of the Hirshhorn Museum and Sculpture Garden, where he served as chairman from 1998 to 2003.

Collectors Roundtable Robert Lehrman Secrets art world Smithsonian American Warhol

Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is stripped down to its most fundamental features. As a specific movement in the arts it is identified with developments in post-World War II Western Art, most strongly with American visual arts in the late 1960s and early 1970s. Prominent artists associated with this movement include Donald Judd, Agnes Martin, Robert Morris, and Frank Stella. It is rooted in the reductive aspects of Modernism, and is often interpreted as a reaction against Abstract Expressionism and a bridge to Postmodern art practices. This video is part of the "Palette" project and pays homage to Minimalism. Video by Mark Garvey, song "Crimson" by Bill Hooper. Please visit www.MarkGarvey.co.uk for more details.

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Vassar professor of English Michael Joyce offers a poetic interpretation of Agnes Martin's "The Harvest." Frances Lehman Loeb Art Center, Vassar College

art talk Vassar College gallery Agnes Martin Michael Joyce

View highlights of this Artist Talk in which Storm Tharp discusses the biographical, philosophical, and aesthetic building blocks shared by Agnes Martin's painting Untitled #15 and Shirakura Jihô's four-paneled literati painting, Visiting A Mountain Recluse.

Portland Art Museum Artist Talk Storm Tharp Agnes Martin Untitled #15 Shirakura Jihô Visiting A Mountain Recluse

As an amateur art historian, James Kalm relishes an opportunity to accompany viewers on a stroll through this exhibition of great art. Within the annals of New York's legendary past, the Pace Gallery has consistently shown work of the highest order. "50 Years at Pace" was one of a three part exhibition documenting the highlights of this extraordinary history.

James Kalm Jasper Johns Robert Rauschenberg Andy Warhol Roy Lichtenstein Claes Oldenburg Mark Rothko Ad Reinhardt Agnes Martin Clyfford Still Alfred Jensen Jim Dine Pace Gallery New York Chelsea

Curator David C. Ward discusses this first major museum exhibition to focus on sexual difference in the making of modern American portraiture. "Hide/Seek" considers such themes as the role of sexual difference in depicting modern America; how artists explored the fluidity of sexuality and gender; how major themes in modern art—especially abstraction—were influenced by social marginalization; and how art reflected society's evolving and changing attitudes toward sexuality, desire, and romantic attachment. The exhibition begins with late nineteenth-century works by Thomas Eakins and John Singer Sargent and charts the twentieth century with major works by such American masters such as Romaine Brooks, Marsden Hartley, and Georgia O'Keeffe. The exhibition arcs through the postwar period with major paintings by Agnes Martin, David Hockney, Jasper Johns, and Andy Warhol. It continues through the end of the twentieth century with works by Keith Haring, AA Bronson, and Felix Gonzalez-Torres about life, love and death during the AIDS crisis, and charts the vigorous reassertion of lesbian and gay civil rights in the twenty-first.

National Portrait Gallery Homosexuality Human Sexuality Equality Art Gender Desire Romance

Jonathan D. Katz, presenting his paper The Sexuality of Abstraction: Agnes Martin " on January 29, 2011 at the Smithsonian's National Portrait Gallery. His presentation was part of thescholarly symposium "Addressing (and Redressing) the Silence: New Scholarship in Sexuality and American Art" which presented papers from 11 scholars in the fields of art, art history, performance art, and social history. This symposium was presented in conjunction with the exhibition "Hide/Seek: Difference and Desire in American Portraiture." Jonathan D. Katz is director of the doctoral program in visual studies at the State University of New York—Buffalo; an honorary research faculty member at the University of Manchester, UK; co-curator of the exhibition ―Hide/Seek‖; and co-author of its accompanying book. He was founding director of the Larry Kramer Initiative for Lesbian and Gay Studies at Yale University and founding chair of the very first department of lesbian and gay studies in the United States, at City College of San Francisco. Here, he also co-founded the activist group Queer Nation, San Francisco, and founded both the Queer Caucus of the College Art Association and the Harvey Milk Institute.

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J. Brahms, "Nachtwandler" op.86 no3 Agnes Martin-Sollien, contralto Alain Porchet, piano www.agnesmartinsollien.net With images of "Le voyage dans la lune" (1902), a silent movie from Georges Georges Méliès. Le Voyage Dans La Lune is a 1902 French science fiction black and white film. It is loosely based on two popular novels of the time: From the Earth to the Moon by Jules Verne and The First Men in the Moon by HG Wells. It was written and directed by Georges Méliès, with help from his brother Gaston. It is recognized as one of the first films of the science fiction genre, and for its innovative animation.

brahms nachtwandler brahms lieder contralto silent films voyage dans la lune georges melies

Sorry, the footage is really bad, not enough light... But I added creepy crawler music! The piece is called Redbird (for Agnes Martin) composed by John Zorn. I believe the licensing is free, the free download is here: rootstrata.com I try to chime with my opinion on the matter, I know that most of the objections I brought up already have been made by other people in the comments, but I wanted to contribute my view that is tangentially different from jericomovie's and why I conclude its immoral from a quasi-subjective stance.

jericomovie philosophy sex metaethics pedophilia morality non-cognitivism subjectivism emotivism intuitivism prescriptivism

Google recently unveiled its "Art Project," opening 17 of the world's greatest museums to millions of online viewers. Many museums, independently of Google, are planning an online strategy. Hear the colorful MOMA Director Glenn Lowry tell Jim Zirin that in the digital age museums will no longer be just bricks and mortar.

Jim Zirin Glenn Lowry Google Art Project Contemporary art modern art Museum of Modern Art MOMA Cezanne Matisse Rothko Agnes Martin Ad Reinhardt Picasso Jackson Pollock Warhol Marina Abramovic performance art Richard Serra

Andrew Hamilton's boisterous and colourful "right and wrong", commissioned by Endymion and EXAUDI for their Music for People project. James Weeks conducted Endymion and EXAUDI in this performance, the world premiere, at the Southbank Centre, London, on Wednesday 21st September 2011. EXAUDI: Juliet Fraser, Ruth Massey, Jonathan Bungard, Francis Brett Endymion: Simon Blendis, Clara Biss, Sophie Renshaw, Jane Salmon www.endymion.org.uk www.exaudi.org.uk

Andrew Hamilton Southbank Centre Music for People PRS Foundation Esmee Fairbairn Foundation new music classical music commission Feldman Endymion EXAUDI James Weeks Agnes Martin

Go on an outer borough cultural adventure. Long Island City is blessed with a dozen cultural institutions, of which you can visit several in a day. Start at the Socrates Sculpture Park, which sculptor Mark di Suvero founded to give artists a place to build large-scale, site-specific sculpture. Check out the Noguchi Museum, which holds several hundred of Isamu Noguchi's works. The Fisher Landau Center for Art displays the private collection of Emily Fisher Landau, including works by Andy Warhol, Robert Rauschenberg, and Agnes Martin. Finish your day at PS 1, enjoying the sunset from James Turrell's Skyspace.

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Love Theme from "Flesh and Blood" by Paul Verhoeven

Flesh and blood

Lavastus ja Koreograafia: Martin Tomson Agnes Ihoma Alice Aleksandridi Terly Müürsepp Laura Prits Tantsijad: Elina,Anna,Anisa,Katriin,Marleen,Kristina,Liis,Triinu, Anumari,Kerda,Aleksandra,Agnes,Martin,Terly,Kerli, Alice VDO-Stuudio: Urmo Lihten Martin Vakkermann Kauri-Romet Aadamsoo Film/montaaš: Kauri-Romet Aadamsoo Heli: Urmo Lihten Valgus: Martin Vakkermann Camera: Canon XH A1s Adobe CS5 Prductions: VDO-Stuudio www.videostuudio.ee

Alice and the Land of Dance Martin Tomson Agnes Ihoma Alice Aleksandridi Terly Müürsepp Laura Prits VDO-Stuudio Kauri-Romet Aadamsoo Urmo Lihten Martin Vakkermann www.videostuudio.ee freflowstuudio Dance wonderland