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John forgets the lines. See 1:00. (But who cares. Really.) Experience South Africa. Cheap accommodation in a village in the rural Eastern Cape ($14.53 for accommodation and three meals, if $1 = R6.88)). Incredibly beautiful. Like www.facebook.com
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Video of the Beatles performing CAN'T BUY ME LOVE, circa 1964. Crowd is really loud and annoying; funny white guys dancing in the background make up for it though.
This is just a slideshow of pictures of The Beatles and one of my favorite The Beatles songs, Revolution, is played throughout the whole video. Hope you like it! -Disclaimer- I do not own this song nor do I make any profit from this video.
Hey, Jude, don't make it bad Take a sad song and make it better Remember to let her into your heart Then you can start to make it better Hey, Jude, don't be afraid You were made to go out and get her The minute you let her under your skin Then you begin to make it better. And any time you feel the pain, hey, Jude, refrain Don't carry the world upon your shoulders Well don't you know that its a fool who plays it cool By making his world a little colder Hey, Jude! Don't let her down You have found her, now go and get her Remember, to let her into your heart Then you can start to make it better. So let it out and let it in, hey, Jude, begin You're waiting for someone to perform with And don't you know that it's just you, hey, Jude, You'll do, the movement you need is on your shoulder Hey, Jude, don't make it bad Take a sad song and make it better Remember to let her into your heart Then you can start to make it better
"Birthday" is a song written by John Lennon--Paul McCartney and performed by The Beatles on their 1968 double album ...The Beatles .....commonly known as "The White Album" Preformed here live by former BEATLE.....Sir Paul McCartney With Rusty Anderson - Lead Guitar Abe Laboriel Jr. - Drums Paul "Wix" Wickens - Key board Brian Ray - Rhythm guitar/bass Red square, Moscow
Copyright owned by Apple Corps Limited under exclusive license to EMI Records Limited. Let's hope that they let this video stick around! Just giving people a chance to enjoy some great music. This was taken from "The Beatles Anthology" dvd (I ripped it myself) with a short intro by producer, George Martin ... Hope you enjoy!
Beatles Want To Hold Your Hand George Martin Lennon mccartney Ringo Starr Harrison Love Wanna Across the Universe
Ah, look at all the lonely people Ah, look at all the lonely people Eleanor Rigby, picks up the rice in the church where a wedding has been Lives in a dream Waits at the window, wearing the face that she keeps in a jar by the door Who is it for All the lonely people Where do they all come from? All the lonely people Where do they all belong? Father McKenzie, writing the words of a sermon that no one will hear No one comes near Look at him working, darning his socks in the night when there's nobody there What does he care All the lonely people Where do they all come from? All the lonely people Where do they all belong? Ah, look at all the lonely people Ah, look at all the lonely people Eleanor Rigby, died in the church and was buried along with her name Nobody came Father McKenzie, wiping the dirt from his hands as he walks from the grave No one was saved All the lonely people Where do they all come from? All the lonely people Where do they all belong
Magical Mystery Tour
yt:stretch=16:9 yt:crop=16:9 yt:quality=high the beatles am walrus music magical mystery tour
Here come old flat top He come groovin' up slowly He got jew jew eyeballs He want holy rollers He got hair down to his knees Got to be a joker He just do what he please He wear no shoeshine He got toe jam football He got monkey finger He shoot Coca Cola He say I know you, you know me One thing I can tell you is You got to be free Come together, right now Over me He bag production He got walrus gumboot He got Ono sideboard He one spinal cracker He got feet down below his knees Hold you in his armchair You can feel his disease Come together, right now Over me He roller coaster He got early warning He got muddy water He one Mojo filter He say one and one and one is three Got to be good looking 'cause he's so hard to see Come together right now Over me Come together, yeah Come together, yeah Come together, yeah Come together, yeah Come together, yeah Come together, yeah Come together, yeah Come together, yeah Come together, yeah Come together, yeah
Well, shake it up baby now Twist and shout Come on, come on, come, come on baby now Come on and work it on out Well work it on out, honey You know you look so good You know you got me goin' now Just like I know you would Well, shake it up baby now Twist and shout Come on, come on, come, come on baby now Come on and work it on out You know you twist, little girl You know you twist so fine Come on and twist a little closer now And let me know that you're mine, woo Ah, ah, ah, ah Yeah, shake it up baby now Twist and shout Come on, come on, come, come on baby now Come on and work it on out You know you twist, little girl You know you twist so fine Come on and twist a little closer now And let me know that you're mine Well shake it, shake it, shake it, baby now Well shake it, shake it, shake it, baby now Well shake it, shake it, shake it, baby now Ah, ah, ah, ah
I look at you all see the love there that's sleeping While my guitar gently weeps I look at the floor and I see it need sweeping Still my guitar gently weeps I don't know why nobody told you how to unfold you love I don't know how someone controlled you they bought and sold you I look at the world and I notice it's turning While my guitar gently weeps With every mistake we must surely be learning Still my guitar gently weeps I don't know how you were diverted you were perverted too I don't know how you were inverted no one alerted you I look at you all see the love there that's sleeping While my guitar gently weeps I look at you all Still my guitar gently weeps Oh, oh, oh oh oh oh oh oh oh oh oh oh, oh oh, oh oh Yeah yeah yeah yeah yeah yeah yeah yeah
The Beatles While My Guitar Gently Weeps allthelovegoneblack
A Tribute to The Beatles. My Flickr Photostream: www.flickr.com
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You say it's your birthday It's my birthday too, yeah They say it's your birthday We're gonna have a good time I'm glad it's your birthday Happy birthday to you. Yes we're going to a party party Yes we're going to a party party Yes we're going to a party party I would like you to dance (Birthday) Take a cha-cha-cha-chance (Birthday) I would like you to dance (Birthday) Dance
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A Day in the Life is a song by the English rock band The Beatles written by John Lennon and Paul McCartney, based on an original idea by Lennon. It is the final track on the group's 1967 album Sgt. Pepper's Lonely Hearts Club Band. Since its original album release, "A Day in the Life" has been released as a B-side, and also on various compilation albums. It has been covered by other artists including The Fall, Bobby Darin, Sting, Neil Young, Jeff Beck, The Bee Gees, Mae and since 2008, by Paul McCartney in his live performances. Rolling Stone magazine ranked it the 26th greatest song of all time. There is some dispute about the inspiration for the first verse. Many believe that it was written with regard to the death of Tara Browne, the 21-year-old heir to the Guinness fortune and close friend of Lennon and McCartney, who had crashed his Lotus Elan on 18 December 1966 when a Volkswagen pulled out of a side street into his path in Redcliffe Gardens, Earls Court. In numerous interviews, Lennon claimed this was the verse's prime inspiration. However, George Martin adamantly claims that it is a drug reference (as is the line "I'd love to turn you on" and other passages from the song) and while writing the lyrics John and Paul were imagining a stoned politician who had stopped at a set of traffic lights. The description of the accident in "A Day in the Life" was not a literal description of Browne's fatal accident. Lennon said, "I didn't copy the accident. Tara didn't blow his <b>...</b>
The Beatles; rock; best; amazing; John Lennon; Paul mccartney; George Harrison; Ringo Starr; music video; day in life; life video
A slideshow to go along with this amazing song, easily my favorite Beatles song and one of my favorite songs of all time. A Truly masterful song. Rest In Peace, John Lennon and George Harrison. ----------- Lyrics: Words are flowing out like endless rain into a paper cup They slither while they pass They slip away across the universe Pools of sorrow waves of joy are drifting through my open mind Possessing and caressing me Jai guru deva om Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my world Images of broken light which dance before me like a million eyes They call me on and on across the universe Thoughts meander like a restless wind inside a letter box they tumble blindly as they make their way across the universe Jai guru deva om Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my world Sounds of laughter shades of life are ringing through my open ears inciting and inviting me Limitless undying love which shines around me like a million suns It calls me on and on across the universe Jai guru deva om Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my world Nothing's gonna change my world Jai guru deva Jai guru deva
The Beatles Across Universe John Lennon George Harrison Paul mccartney Ringo Starr
Ah, look at all the lonely people Ah, look at all the lonely people Eleanor Rigby picks up the rice in the church where a wedding has been Lives in a dream Waits at the window, wearing the face that she keeps in a jar by the door Who is it for? All the lonely people Where do they all come from? All the lonely people Where do they all belong? Father McKenzie writing the words of a sermon that no one will hear No one comes near Look at him working. Darning his socks in the night when there's nobody there What does he care? All the lonely people Where do they all come from? All the lonely people Where do they all belong? Ah, look at all the lonely people Ah, look at all the lonely people Eleanor Rigby died in the church and was buried along with her name Nobody came Father McKenzie wiping the dirt from his hands as he walks from the grave No one was saved All the lonely people Where do they all come from? All the lonely people Where do they all belong?
Facebook: www.facebook.com Paul Performing Yesterday 1965 "Yesterday" is a song originally recorded by The Beatles for their 1965 album Help!. According to Guinness World Records, "Yesterday" has the most cover versions of any song ever written. The song remains popular today with more than 3000 recorded cover versions, the first hitting the United Kingdom top 10 three months after the release of Help!. Broadcast Music Incorporated (BMI) asserts that it was performed over seven million times in the 20th century alone. The song was not released as a single in the UK at the time of the US release, and thus never gained number 1 single status in that country. However, "Yesterday" was voted the best song of the 20th century in a 1999 BBC Radio 2 poll of music experts and listeners. In 2000, "Yesterday" was voted the #1 Pop song of all time by MTV and Rolling Stone Magazine. In 1997, the song was inducted into the Grammy Hall of Fame. "Yesterday" takes the form of a melancholic acoustic guitar ballad about a breakup. It was the first official recording by The Beatles that relied upon a performance by a single member of the band, namely, Paul McCartney. He was accompanied solely by a string quartet. The final recording differed so greatly from other works by The Beatles that the other three members of the band vetoed the release of the song as a single in the United Kingdom (however, in 1976 it was eventually issued as a single there). Although credited to "Lennon/McCartney <b>...</b>
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One of the best examples of John Lennon, Paul McCartney, and George Harrison's harmonizing, Because. The song begins with electric harpsichord played by George Martin and then joined by Lennon's guitar doubling the harpsichord and played through a Leslie speaker. Vocals and bass guitar enter in what Alan Pollack calls the "mini-bridge." The song was one of the few Beatles songs to include an analog synthesizer arrangement (although analog keyboards such as the Mellotron had been used often by The Beatles, few songs featured the use of a traditional analog synthesizer with voltage-controlled oscillators). The Beatles at the time of Abbey Road were among the first contemporary rock bands to experiment with the Moog synthesizer (the first, or at least the first to chart on the top 40, had been The Monkees). According to Lennon, "Because" was inspired by Ludwig van Beethoven's "Moonlight Sonata". "Yoko was playing Beethoven's 'Moonlight Sonata' on the piano ... I said, 'Can you play those chords backwards?', and wrote 'Because' around them. The lyrics speak for themselves ... No imagery, no obscure references." The main recording session for "Because" was on 1 August 1969, with vocal overdubs on 4 August, and a Moog synthesizer overdub by George Harrison on 5 August. As a result, this was the last song on the album to be committed to tape, although there were still overdubs for other incomplete songs. A vocals-only version of the song can be found on Anthology 3 and Love and <b>...</b>
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Yellow Submarine Feature Film Restored For May Release on DVD and Blu-ray Once upon a time...or maybe twice...there was an unearthly paradise called Pepperland... The Beatles' classic 1968 animated feature film, Yellow Submarine, has been digitally restored for DVD and Blu-ray release on May 28 (May 29 in North America). The film's songtrack album will be reissued on CD on the same date. Currently out of print, the film has been restored in 4K digital resolution - all done by hand, frame by frame. John Lasseter, Chief Creative Officer, Walt Disney and Pixar Animation Studios writes "As a fan of animation and as a filmmaker, I tip my hat to the artists of Yellow Submarine, whose revolutionary work helped pave the way for the fantastically diverse world of animation that we all enjoy today."
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The Beatles "Tomorrow Never Knows" album "Revolver" 1966 / Box The Beatles In Mono 2009
beatles.thevidblog.com Lyrics Chorus: She loves you, yeah, yeah, yeah She loves you, yeah, yeah, yeah She loves you, yeah, yeah, yeah, yeah Verse #1 You think you lost your love, Well, I saw her yesterday. It's you she's thinking of And she told me what to say. Bridge: She says she loves you And you know that can't be bad. Yes, she loves you And you know you should be glad. Verse #2 She said you hurt her so She almost lost her mind. But now she said she knows You're not the hurting kind. Bridge: She says she loves you And you know that can't be bad. Yes, she loves you And you know you should be glad. Ooh! Chorus: She loves you, yeah, yeah, yeah She loves you, yeah, yeah, yeah And with a love like that You know you should be glad. Verse #3 Although it's up to you, I think it's only fair, Pride can hurt you, too, Apologize to her Bridge: Because she loves you And you know that can't be bad. Yes, she loves you And you know you should be glad. Ooh! Chorus: She loves you, yeah, yeah, yeah She loves you, yeah, yeah, yeah Bridge:with a love like that You know you sho-oo-ould Be Glad! Bridge:with a love like that You know you sho-oo-ould Be Glad! Ending: Yeah, yeah, yeah. Yeah, yeah, yeah Ye-ah.
"Free as a Bird" is a song performed by The Beatles. The single was released on 4 December 1995, as part of the promotion for the release of The Beatles Anthology video documentary and the band's Anthology 1 compilation album. The song had been written and recorded as a demo by John Lennon in 1977. Paul McCartney asked Lennon's widow Yoko Ono for any unreleased material by Lennon, and "Free as a Bird" was chosen as being the song all three remaining Beatles could be involved in, as they could finish the arrangement and write extra lyrics. Jeff Lynne of Electric Light Orchestra was asked to co-produce the record as he had worked with George Harrison as part of The Traveling Wilburys. The music video for "Free as a Bird" was produced by Vincent Joliet and directed by Joe Pytka (Space Jam) and depicts, from the point of view of a bird in flight, many references to The Beatles songs, such as "Strawberry Fields Forever," "Penny Lane", "Paperback Writer", "A Day in the Life", "Eleanor Rigby" and "Helter Skelter". "Free as a Bird" later won the 1997 Grammy Award for Best Pop Performance by a Duo or Group with Vocal, and was The Beatles' 34th Top 10 single in America. It was the first of two singles by the group to become a Top 40 hit in the 1990s [the other being "Real Love" in 1996].
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